Ancient Drama in Music for the Modern Stage
Identifieur interne : 000037 ( Main/Exploration ); précédent : 000036; suivant : 000038Ancient Drama in Music for the Modern Stage
Auteurs : Katie De La Matter [Royaume-Uni]Source :
- Journal for Eighteenth‐Century Studies [ 1754-0194 ] ; 2013-09.
English descriptors
- Teeft :
- Aesthetic baggage, Aesthetic differences, Ancient drama, Ancient greek dramas, Ancient greek principles, Ancient greek tragedy, Ancient material, Ancient principles, Ancient works, Anonymous author, Arguments risk, Artistic practice, Attic tragedies, Book reviews, British society, Broader implication, Broader themes, Canonical boundaries, Capitalism fuels, Capitalist desires fuel taste, Charlotte guide, Charlotte sussman, Chronological organisation ameliorates, Classical myth, Classical sources, Comparative discussion, Compositional possibility, Conference papers, Consumer capitalism, Contemporary research, Crucial motor forces, Cultural expectations, Cultural history, Cultural understandings, Current state, Drama andromaque yields insight, Dramatic performance practice, Dramatic studies, Estratto poetica, Excellent book, Familiar struggle, Florentine camerata, Full circle, Further assessment, Further critique, Fuzzy concepts, General reference works, Good taste, Greek tragedies, Greek tragedy, Historical plots, Historical traditions, Immense task, Impressive addition, Independent nature, Ironic idea, Isbn, Julian ferraro, Large part, Lecture theatre, Legitimising agent, Legitimising sources, Literary production, Literature series, Local context, Major changes, Major shifts, Many librettists, Matter london english literature, Matthew grenby, Michael analysis, Modern stage, Newcastle university, Nuanced introduction, Operatic libretti, Operatic reform, Operatic stage, Operatic works, Original insights, Original sources, Oxford university press, Paul baines, Penny pritchard, Personal motivations, Personal responses, Postgraduate students, Refreshing survey, Reinhard examination, Roman drama, Same sense, Separate chapters, Similar issues, Smart thing, Social contexts, Stage direction, Student guides, Such desires, Suzana ograjensek, Theatrical architecture, Tragedic model, Twentieth century, Twentieth century adaptations, Wide array, York press.
Url:
DOI: 10.1111/1754-0208.12014
Affiliations:
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Ancient Drama in Music for the Modern Stage – Edited by PETER BROWN and SUZANA OGRAJENSEK</title><author><name sortKey="De La Matter, Katie" sort="De La Matter, Katie" uniqKey="De La Matter K" first="Katie" last="De La Matter">Katie De La Matter</name><affiliation wicri:level="3"><country>Royaume-Uni</country><placeName><settlement type="city">Londres</settlement><region type="country">Angleterre</region><region type="région" nuts="1">Grand Londres</region></placeName></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">Journal for Eighteenth‐Century Studies</title><title level="j" type="alt">JOURNAL FOR EIGHTEENTH-CENTURY STUDIES</title><idno type="ISSN">1754-0194</idno><idno type="eISSN">1754-0208</idno><imprint><biblScope unit="vol">36</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="461">461</biblScope><biblScope unit="page" to="462">462</biblScope><biblScope unit="page-count">2</biblScope><date type="published" when="2013-09">2013-09</date></imprint><idno type="ISSN">1754-0194</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">1754-0194</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Aesthetic baggage</term><term>Aesthetic differences</term><term>Ancient drama</term><term>Ancient greek dramas</term><term>Ancient greek principles</term><term>Ancient greek tragedy</term><term>Ancient material</term><term>Ancient principles</term><term>Ancient works</term><term>Anonymous author</term><term>Arguments risk</term><term>Artistic practice</term><term>Attic tragedies</term><term>Book reviews</term><term>British society</term><term>Broader implication</term><term>Broader themes</term><term>Canonical boundaries</term><term>Capitalism fuels</term><term>Capitalist desires fuel taste</term><term>Charlotte guide</term><term>Charlotte sussman</term><term>Chronological organisation ameliorates</term><term>Classical myth</term><term>Classical sources</term><term>Comparative discussion</term><term>Compositional possibility</term><term>Conference papers</term><term>Consumer capitalism</term><term>Contemporary research</term><term>Crucial motor forces</term><term>Cultural expectations</term><term>Cultural history</term><term>Cultural understandings</term><term>Current state</term><term>Drama andromaque yields insight</term><term>Dramatic performance practice</term><term>Dramatic studies</term><term>Estratto poetica</term><term>Excellent book</term><term>Familiar struggle</term><term>Florentine camerata</term><term>Full circle</term><term>Further assessment</term><term>Further critique</term><term>Fuzzy concepts</term><term>General reference works</term><term>Good taste</term><term>Greek tragedies</term><term>Greek tragedy</term><term>Historical plots</term><term>Historical traditions</term><term>Immense task</term><term>Impressive addition</term><term>Independent nature</term><term>Ironic idea</term><term>Isbn</term><term>Julian ferraro</term><term>Large part</term><term>Lecture theatre</term><term>Legitimising agent</term><term>Legitimising sources</term><term>Literary production</term><term>Literature series</term><term>Local context</term><term>Major changes</term><term>Major shifts</term><term>Many librettists</term><term>Matter london english literature</term><term>Matthew grenby</term><term>Michael analysis</term><term>Modern stage</term><term>Newcastle university</term><term>Nuanced introduction</term><term>Operatic libretti</term><term>Operatic reform</term><term>Operatic stage</term><term>Operatic works</term><term>Original insights</term><term>Original sources</term><term>Oxford university press</term><term>Paul baines</term><term>Penny pritchard</term><term>Personal motivations</term><term>Personal responses</term><term>Postgraduate students</term><term>Refreshing survey</term><term>Reinhard examination</term><term>Roman drama</term><term>Same sense</term><term>Separate chapters</term><term>Similar issues</term><term>Smart thing</term><term>Social contexts</term><term>Stage direction</term><term>Student guides</term><term>Such desires</term><term>Suzana ograjensek</term><term>Theatrical architecture</term><term>Tragedic model</term><term>Twentieth century</term><term>Twentieth century adaptations</term><term>Wide array</term><term>York press</term></keywords></textClass></profileDesc></teiHeader></TEI><affiliations><list><country><li>Royaume-Uni</li></country><region><li>Angleterre</li><li>Grand Londres</li></region><settlement><li>Londres</li></settlement></list><tree><country name="Royaume-Uni"><region name="Angleterre"><name sortKey="De La Matter, Katie" sort="De La Matter, Katie" uniqKey="De La Matter K" first="Katie" last="De La Matter">Katie De La Matter</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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